BURNING MEN – The Myth of the “Wicker Man” in Celtic Europe

UD: May 2019

 

wicker

 

“…having devised a colossus of straw and wood, throw into the colossus cattle and wild animals of all sorts and human beings, and then make a burnt-offering of the whole thing”.

(Strabo IV, 4:5)

 

The most horrific ritual associated with the ancient Celts is undoubtedly the Wicker Man, and the mass burning of human and animal sacrifices inside this sinister structure. Our knowledge of this phenomenon comes largely from two main sources – Caesar, and the Greek geographer Strabo, although it appears that both harvested their information from a single source  – Posidonius, whose account has not survived (Tierney J.J. (1959-60) The Celtic Ethnography of Posidonius. Proceedings of the Royal Irish Academy 60. P. 189-275; Green M. Humans as Ritual Victims in the Later Prehistory of Western Europe. Oxford Journal of Archaeology. 17/2. 1998. P. 169-189).

Most information on the Wicker Man comes from Julius Caesar, who states the Druids burned criminals and prisoners of war in the wicker structures, and that when such were unavailable, they “even go so low as to inflict punishment on the innocent”:

“Others have figures of vast size, the limbs of which formed of osiers they fill with living men, which being set on fire, the men perish enveloped in the flames. They consider that the oblation of such as have been taken in theft, or in robbery, or any other offense, is more acceptable to the immortal gods; but when a supply of that class is wanting, they have recourse to the oblation of even the innocent”.

(Caesar, De Bello Gallico 6.16)

 

Caesar’s use of emotive language (“they even go so low”) hints that he was intending to show the enemies of Rome in a particularly barbaric light. In any case, Caesar himself did not witness such rituals, instead citing the Greek traveller Posidonius, who had visited Gaul about 50 years earlier, and written of the human sacrifice there. Why Posidonius, a Roman sympathizer, wrote, and why he wrote it, is unclear. He may have had first-hand experience of sacrificial rites, or he may have been transmitting rumors or outright lies, subsequently copied by other classical authors. Besides Caesar and Strabo, another source, Florus, also mentions the practice of human sacrifice by burning, this time among the Balkan Celts, stating that during the campaigns by the Scordisci at the beginning of the 1st c. BC Roman prisoners were also burnt alive:

Throughout their advance they left no cruelty untried, as they vented their fury on their prisoners; they sacrificed to their gods with human blood; they drank out of human skulls; by every kind of insult inflicted by burning and fumigation they made death more foul; they even forced infants from their mother’s wombs by torture”.

(Florus, Epitome of Roman History XXXVIIII, iii, 4)

 

So did the Wicker Man really exist, or is it simply another ‘urban legend’ – a product of the classical imagination designed to reinforce the image of the savages in the popular psyche, and illustrate the necessity that they be ‘civilized’?

All classical accounts of the ‘Wicker Man’ and human sacrifice by burning, are hearsay, and no eyewitness account has survived. Furthermore, no archaeological evidence of such a phenomenon has ever been discovered, which logically raises further doubts about the veracity of such claims.

And yet, there is one further source of information, produced by the Celts themselves, which may support the horrific accounts of ancient authors. During the 1st c. BC the Celtic tribes in Thrace produced a large number of silver tetradrachms of the Thasos type, on many of which a mysterious figure appears on the reverse. Various versions of these Celtic coins depict a colossus with a burning head (fig. A/B) or the head portrayed as a wheel (fig. C/D/F) – both apparently references to the Thunder God Taranis, to whom sacrifice was made by fire, and who is associated with the Solar Wheel.

W. fire 1

Fig A

W. firehead g

Fig. B

W. wheel head

Fig. C

w whhead 3

Fig. D

Other issues depict the figure within a rectangular structure (fig. E), and/or standing on a platform (fig. A/B/C/E/F), with what appears to be a ladder in the bottom right corner (Fig F):

W. stru 1

Fig. E

ladder

Fig. F

On Celtic “Thasos type” coinage:

https://www.academia.edu/6144182/Celtic_Thasos_Type_Coinage_from_Central_Bulgaria

 

thasos-taranis-rev

Reverse of a Balkan Celtic tetradrachm from Central Bulgaria, with solar/Taranis wheel in the top left corner

(1st c. BC)

https://balkancelts.wordpress.com/2012/08/20/taranis-the-thunder-god/

 

While the schematic nature of these images makes certainty impossible, this coinage corresponds geographically and chronologically with accounts of human sacrifice by burning among the Balkan Celts, and it appears likely that these images may be the only direct archaeological evidence of the gruesome phenomenon which has become known as the ‘Wicker Man’.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Mac Congail

 

 

 

 

 

 

 

 

 

THE CULT OF THE HUMAN HEAD IN CELTIC EUROPE

UD: Sept. 2019

 

 

“Amongst the Celts the human head was venerated above all else, since the head was to the Celt the soul, centre of the emotions as well as of life itself, a symbol of divinity and of the powers of the other-world.”

 (Jacobsthal 1944)

 

2 - 2 - 1 - 1 - 1 - La Tarasque de Noves 1 c. BC - The Tarasque de Noves anthropophagous statue, displayed in the Musée Calvet in Avignon, is attributed to the Cavares.

 

“… they hang the heads of their enemies from the necks of their horses, and, when they have brought them home, nail the spectacle to the entrances of their homes”.
(Strabo IV, 4:5)

 

“Trophy Skull” from the Celtic settlement at  Kobern-Gondorf (Rhineland-Palatinate), Germany

(1st c. BC)

 

Human head (sandstone) discovered at the gate of the Celtic hillfort / oppidum at Závist in southern Prague. (Analysis has shown that the sculpture is complete, i.e. the head did not come from a statue). Such stone heads have been discovered in Celtic settlements and cult sites across Europe.

(2-1 c. BC)

No photo description available.

Limestone sculpture from Mšecké Žehrovice in the Czech Republic

(1 c. BC)

 

 

In the year 1904 a rather strange artifact was discovered at an ancient burial site near the village of Deta (Timiş county), Romania. The ceramic head (0.30 – 0.35 cm in height) represents a bald male with neither facial hair nor eyebrows, a straight nose and a pointed chin (fig. 1).

Deta 2

Fig. 1 – The Deta Head

(after Rustoiu 2012)

 

Initially interpreted as part of a statue, and identified as ‘Prehistoric’ and ‘Bronze Age’, it has subsequently emerged that the Deta head, now dated to the late Iron Age (LTC1), comes from a Celtic kantharos of the ‘Danubian Type’, and represents one of many such Celtic anthropomorphic decorative elements / artifacts from this period recorded in south-eastern Europe.

The Danubian kantharoi represent a ceramic category adopted by the eastern Celts from a range of vessels specific to the Mediterranean region, and appear to have had special religious functions. 3 main types of Celtic kantharoi developed during this period (LTB2 – C1) – the 1st type consisting of close copies of Hellenistic originals, the 2nd type resembling local bowls to which 2 handles were added, and a 3rd type of large bi-truncated vessels, also with added handles (loc cit).

 

 

Bland. B

 

Bland 1

Fig. 2 – Celtic kantharos with anthropomorphic decoration from Blandiana, Alba County, Romania

(after Rustoiu, Egri 2010)

 

 

a - Csepel Island pseudo-Kantharos - warrior burial 3rd c. BC - good

Kantharos with anthropomorphic handles from a Celtic warrior burial (#149) at Csepel Island, Budapest

(3rd c. BC)

 

https://balkancelts.wordpress.com/2015/01/24/celtic-budapest-the-burial-complex-from-csepel-island/

 

 

 Variants of such vessels continued to be produced by the Balkan Celtic population right up to the Roman conquest at the end of the 1st c. BC, as has recently  been confirmed by examples such as that used as a funeral urn in the female Celtic burial (#10) at the Bratya Daskalovi site (Stara Zagora region) in south-central Bulgaria which has been dated to the late 1st c. BC (Tonkova et al 2011). Such kantharoi, dating to the late 2nd/ 1st c. BC, have also been recorded at cult centres in Thrace, such as that at Babyak in the western Rhodope mountains of s.w. Bulgaria. At the latter site the kantharoi, along with other artefacts including metal objects and zoomorphic cult firepots, were ritually ‘killed’ in the typical Celtic fashion.

Other Celtic vessels with anthropomorphic decoration from s.e. Europe include examples such as the kantharos from burial #23 at Belgrad-Karaburma, and vessels from Kósd, Kakasd, Csepel Island, Balatonederics, Rogvágy, Levice, Blandiana, etc. The Deta head has particularly close stylistic parallels in 2 heads from vessels discovered at Kósd (Hungary) and a head from a limestone stele discovered at Ciulniţa (Romania), while the stone ‘Janus’ heads from the Roquepertuse site in the Provence-Alpes-Côte d’Azur région of southern France bear distinct similarities to these eastern Celtic examples (Rustoiu op cit.).

 

 

Baslatonederocs – Keszthely, Hungary, III century BC kantharos antropomorphic decoration

Upper end of handle on a pot from Balatonederics (Hungary) – 3rd c. BC

 

Kosd n.

Fig. 3 – Anthropomorphic representations on the beakers from Kósd

(after Rustoiu 2012)

 

 

Ciuln hed

Fig. 4 – Head from a Limestone stele from Ciulniţa

(after Teleagă 2008)

 

Roque.

Fig. 5 – ‘Janus’ Heads from Roquepertuse

 

 

J

The two-faced pre-Christian deity on Boa Island (Fermanagh), Ireland

 

Winged head on the obverse of a Celtic tetradrachm from western Hungary (late 2nd c. BC)

Bronze Celtiberian fibula from Lancia/Villasabariego (Castile and León), Spain. Note the decapitated head below the horses face.

(3/2 c. BC)

 

 

Further stylistic analogies to the aforementioned ceramic heads from Deta, Kósd, and the stone head from Ciulniţa  have been identified (Rustoiu 2012) in a gold ‘Janus’ head pendant from the Schumen region of north-eastern Bulgaria, and a ceramic head dated to the same period (late 4th/ 3rd c. BC) from Seuthopolis in the so-called ‘Valley of the Thracian Kings’, as well as in the glass ‘face beads’ which became common in eastern Europe during the same period (loc cit; fig. 7 – 9).

 

 

Fig. 6 – Gold Celtic ‘Janus Head’ pendant from Schumen region, north-eastern Bulgaria

(3 c. BC)

https://balkancelts.wordpress.com/2018/04/06/%ce%ba%cf%8c%cf%81%ce%b1%ce%bb%ce%bb%ce%bf%ce%b9-the-celts-in-eastern-bulgaria/

 

C T. 1

Fig. 7 – Celtic ‘Face Beads’ from Romania

1: Mangalia 2: Pişcolt

 

Such glass ‘face beads’ have been unearthed in recent years during excavations at a number of sites in Bulgaria, such as Mogilanska Tumulus (Vratza region), Appolonia Pontica (Sozopol), Mavrova Tumulus (Starosel, Plovdiv region), Burgas, Kavarna (Dobruja region), etc.

 

Th. gl. 1

Fig. 8 – Glass ‘Face Bead’ from Mogilanska Tumulus (Vratza region, Bulgaria)

 

 

Th. g 2

Fig. 9 – Glass ‘face bead’ from Mavrova Tumulus (Starosel, Plovdiv region, Bulgaria)

https://balkancelts.wordpress.com/2013/02/04/the-celtic-evil-eye/

 

 

 Previously ascribed to contact between the Hellenistic areas and the Celts of the Tyle state in eastern Bulgaria (Szabó 2000:11), it has subsequently emerged that in fact these appear earlier in the Celtic environment, as has been conclusively proven by examples discovered in burials # 191 and 202 (LT B1) or # 1, 16, 191, and 194 (LTB2) from Piscolţ in Romania (Rustoiu 2012).

 

 

2 - 2 - 1 - 1 - 1 - La Tarasque de Noves 1 c. BC - The Tarasque de Noves anthropophagous statue, displayed in the Musée Calvet in Avignon, is attributed to the Cavares.

La Tarasque de Noves. Anthropophagous statue from Noves in the Bouches-du-Rhône, France.

A dismembered limb hangs from its snarling mouth, and clutched in each front claw is a human skull. The statue is attributed to the Cavares tribe (/tribal federation), meaning “The Giants”.

(1st century BC)

 

 

Bronze applique in the form of a human head from a Celtic chariot burial at Roissy (Val-d’Oise), France

(3rd c. BC)

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Literature Cited

 

Jacobsthal P. (1944) Early Celtic Art. Oxford

Rustoiu A., Egri M. (2010) Danubian Kantharoi – Almost Three Decades Later. In: Iron age Communities in the Carpathian Basin. Proceedings of the International Colloquium from Târgu Mureş, 9-11 October 2009.Cluj-Napoca 2010. P. 217-287

Rustoiu A. (2012) The Ceramic Human Head from Deta (Timiş County). About the La Têne Vessels with Anthropomorphic Decoration from the Carpathian Basin. In: Analele Banatului, S.N., Arheologie-Istorie, XX, 2012. Pp. 57-72

Teleagă E. (2008) Griechische Importe in den Nekropolen an der unteren Donau. 6 Jh. – Anfang des 3 Jh. v. Chr., Marburger Studien zur Vor- und Frügeschichte, Bd. 23, Rahden/Westf.

Тonkova, Gotcheva (2008) = Тонкова, М. и Гоцевa  A.. Тракийското светилище при Бабяк и неговата археологическа среда. София

Tonkova et al (2011) = Трако-римски династичен център в районна Чирпанските възвишения Тонкова M. (ed.) София

 

 

 

 

 

 

 

 

 

 

 

 

Mac Congail