THE DANUBE TORC – An early Balkan Celtic gold torc decorated in the “Vegetal Style” from Montana, Bulgaria

Dating to the early phase of Celtic expansion into this part of Europe, one of the most exquisite artifacts to be discovered on the territory of today’s Bulgaria is the golden torc discovered on the banks of the Danube in the northwest of the country. The torc, from Gorni Tsibar (formerly Cibar Varosh) in the Montana region, is the most easterly example of a number of similar Celtic neck-rings decorated in the ‘Vegetal’ or ‘Waldalgesheim’ style.

Golden Celtic Torc from Gorni Tsibar (Montana region, Bulgaria)

The Waldalgesheim Style is named after a princely burial in the middle Rhine, and displays an independence of interpretation and confidence in execution that marks the culmination of achievement of the early La Tène period (Jacobsthal 1944). The descriptive term ‘Vegetal’ has been proposed in place of Jacobsthal’s type-site to denote the new style, reflecting in particular its use of plant-derived tendril motifs, although the style is not characterized exclusively by vegetal motifs, nor are vegetal motifs exclusive to it (Harding 2007:70).

The Vegetal Style is often regarded as the high point of La Tène curvilinear ornament because it is in this style that derivative classical motifs are deconstructed and re-emerge with the ‘assured irrationality’ of a vibrant and independent Celtic creation (Loc cit. 265).

The Waldalgesheim torc and arm-rings (Rheinisches Landesmuseum, Bonn).

Detail of decoration on the Waldalgesheim torc

Detail of decoration on the Bulgarian torc

Another golden torc from grave # 2 at Filottrano near Ancona, in the territory of the Senones, is a closely related piece to the Bulgarian example. Elements in the design in the Gorni Tsibar torc are also paralleled on Celtic pottery from Alsopel in Hungary which shows a similar vegetal tendril surrounded by random dots and stamped arcades or half-moons (Megaw 2001:118-119), while the vegetal decorative details on the neck-guard of the Celtic helmet from Silivaş (Romania) belong to the late phase of the aforementioned style, similar to the ornamentation of the helmets from Förker Laas Riegel in Carinthia, discovered in 1989 (Schaaff 1990).

The neck-guard of the Silivaş helmet. Detail of decoration(early 3rd c. BC)

https://balkancelts.wordpress.com/2014/02/14/the-mechanism-of-dreams-vegetal-style-and-the-silivas-helmet/

The Bulgarian torc has been dated to the last quarter of the 4th c. BC., and is significant not only from an artistic perspective but because it, in combination with other archaeological and numismatic evidence, confirms Celtic presence in this area of Bulgaria as early as the 4th c. BC., a fact which is also testified to in ancient sources (Seneca nat. quaest 3.11.3; Plin. n.h. 31.53) who describe a battle between the Macedonian general Cassander and Celtic forces in the Balkan mountains (Stara Planina) at the end of the 4th c. BC.

The Gorna Tsibar site is near the location of the Celtic settlement of Cumodina (modern Stanevo, Montana region) (Ravennatis Anonymi Cosmographia. Liber IV, 7, 190). Further along the valley of the small Tsibritza river, on which Gorna Tsibar is situated, recent archaeological evidence has also confirmed Celtic settlement around the villages of Valchedrum and Jakimovo dating until the 1st c. BC / 1st c. AD.

Depiction of a Celto-Thracian chieftain with torc on a sliver/gilt plate from the Jakimovo treasure, Montana region (Northwestern Bulgaria / 2/1 c. BC)

https://balkancelts.files.wordpress.com/2013/05/wp-2-nw.jpg?w=820

Military equipment from the burial of a Celtic / Scordisci cavalry officer from Montana, Bulgaria (2/1 c. BC)

https://balkancelts.wordpress.com/2013/05/10/scordisci-swords/

.

Advertisements

THE MECHANISM OF DREAMS – Vegetal Style and the ‘Silivaş’ Helmet

UD: Sept. 2018

 

 

 

 

“…the mechanism of dreams where things have floating contours and pass into other things”.

(Jacobsthal 1941)

 

 

 

SILIVAS hel

 

The Celtic helmet from Silivaş (Transylvania) was first published in 1925 as part of the inventory of a warrior burial which also included two spearheads, a sword, dagger, brooch and a ‘sickle’ (actually a curved dagger), all of which had previously been in the private collection of Count Teleki Dromokos of Transylvania.

 

roska 1925

Inventory of the Celtic Burial from ‘Silivaş’, after Róska 1925*

 

The helmet itself is of a type with neck-guard (eisenhelme mit angesetztem Nackenschutz) common among the Celts at the end of the 4th/beginning of the 3rd c. BC (LT B2). Finds of such helmets are concentrated in the alpine region of western Austria and northern Italy, from where they circulated to the east and west (Rustoiu 2013). The most spectacular examples of such helmets include those from Agris and Amfreville in France, decorated with gold and coral.

Agris helmet

a - a a- -a det agris helmet

The Agris Helmet and detail of decoration

a - a a- -a det MECHANISM

Detail of the Ram-Horned Serpent on the cheek-piece of the Agris Helmet

https://balkancelts.wordpress.com/2015/07/04/cernunnos-and-the-ram-headed-serpent/

amfreville 1

The Amfreville Helmet

 

 

amfreville det.

Detail of the decoration on the Amfreville helmet

 

 

VEGETAL / WALDALGESHEIM STYLE

 

The helmet from “Silivaş”* is ornamented on the neck-guard with vegetal elements specific to the so-called Waldalgesheim or Vegetal Style.

The Waldalgesheim Style is named after a princely burial in the middle Rhine, and displays an independence of interpretation and confidence in execution that marks the culmination of achievement of the early La Tène period (Jacobsthal 1944). The descriptive term ‘Vegetal’ has been proposed in place of Jacobsthal’s type-site to denote the new style, reflecting in particular its use of plant-derived tendril motifs, although the style is not characterized exclusively by vegetal motifs, nor are vegetal motifs exclusive to it (Harding 2007:70). The Vegetal Style is often regarded as the high point of La Tène curvilinear ornament because it is in this style that derivative classical motifs are deconstructed and re-emerge with the ‘assured irrationality’ of a vibrant and independent Celtic creation (Harding 265).

 The vegetal decorative details on the neck-guard of the helmet from Silivaş belong to the late phase of the aforementioned style, similar to the ornamentation of the helmets from  Förker Laas Riegel, in Carinthia, discovered in 1989 (Schaaff 1990).

Siliv. ng detail

The neck-guard of the Silivaş helmet. Detail of decoration

A further fine example of the vegetal style decoration on the Balkans is to be observed on the Celtic gold torc from Gorni Tsibar (Montana region) in north-western Bulgaria, which dates from the same period as the Silivaş helmet.

 

Danube Torc Bulgaria

Celtic gold torc decorated in the Vegetal Style, from Gorni Tsibar, northwestern Bulgaria

(late 4th/ early 3rd c. BC)

 

Celtic bronze torc, beautifully decorated in the Vegetal Style, from the Laon area (Picardy) of France (3 c. BC)

 

 

 

 

 

 

 

*In the interest of accuracy, it should be noted that the most recent research on the Silivaş burial has indicated that the helmet and associated material did not in fact originate from Silivaş, but was most probably discovered in a Celtic burial in the Turda area, also in Transylvania, while the brooch and curved dagger came from a Celtic burial either in another part of Transylvania, or from the Scordisci area in today’s northern Bulgaria (for discussion see Rustoiu 2013).

 

 

 

 

 

 

 

On Eastern Celtic helmets of the Novo Mesto type see:

https://www.academia.edu/5463297/The_Power_of_3_-_Some_Observations_On_Eastern_Celtic_Helmets

On Celtic helmets of the Montefortino type in Eastern Europe see:

https://www.academia.edu/4835555/Gallo-Scythians

        

 

 

 

 

 

 

 

 

 

 

 

Literature Cited

Harding D.W. (2007) The Archaeology of Celtic Art. Routledge.

Jacobsthal P.F. (1944) Early Celtic Art. Oxford.

Roska M. (1925) Keltisches Grab aus Siebenbürgen.  In:  PZ, 16, 1925, p. 210-211.

Rustoiu A. (2013) Wandering Warriors. The Celtic Grave from “Silivaş” (Transylvania) and Its History. In: Terra Sebus. Acta Musei Sabesiensis, 5, 2013, p. 211-226

Schaaff U. (1990) Keltische Waffen. Mainz.

Mac Congail

THE DANUBE TORC

(UD June 2014)

 

 

 

 

 

One of the most interesting and exquisite Celtic artifacts to be found on the territory of today’s Bulgaria is undoubtedly the golden torc discovered on the banks of the Danube in the northwest of the country (Fig. 1). The torc, from Gorni Tsibar (formerly Cibar Varosh) Montana region, is the most easterly example of a number of similar Celtic neck-rings decorated in the ‘Vegetal’ or ‘Waldalgesheim’ style (Fig. 2).

 

 

 

Fig. 1 –    Golden Celtic Torc from Gorni Tsibar (Montana region, Bulgaria)

 

 

 

 

The Waldalgesheim Style is named after a princely burial in the middle Rhine, and displays an independence of interpretation and confidence in execution that marks the culmination of achievement of the early La Tène period (Jacobsthal 1944). The descriptive term ‘Vegetal’ has been proposed in place of Jacobsthal’s type-site to denote the new style, reflecting in particular its use of plant-derived tendril motifs, although the style is not characterized exclusively by vegetal motifs, nor are vegetal motifs exclusive to it (Harding 2007:70). The Vegetal Style is often regarded as the high point of La Tène curvilinear ornament because it is in this style that derivative classical motifs are deconstructed and re-emerge with the ‘assured irrationality’ of a vibrant and independent Celtic creation (Harding 265; see ‘The Mechanism of Dreams’ article with cited lit.).

 

 

 

Fig. 2 – The Waldalgesheim torc and arm-rings (Rheinisches Landesmuseum, Bonn).

 

 

 

Another golden torc from grave # 2 at Filottrano near Ancona, in the territory of the Senones, is a closely related piece to the Bulgarian example. Elements in the design in the Gorni Tsibar torc are also paralleled on Celtic pottery from Alsopel in Hungary which shows a similar vegetal tendril surrounded by random dots and stamped arcades or half-moons (Megaw 2001:118-119), while the vegetal decorative details on the neck-guard of the Celtic helmet from Silivaş (Romania) (fig. 3) belong to the late phase of the aforementioned style, similar to the ornamentation of the helmets from Förker Laas Riegel in Carinthia, discovered in 1989 (Schaaff 1990).

 

 

siliv

Fig. 3 – The neck-guard of the Silivaş helmet. Detail of decoration (early 3rd c. BC)

(See ‘The Mechanism of Dreams’ article, with relevant lit.)

 

 

 

 

The Bulgarian torc has been dated to the last quarter of the 4th c. BC. From a chronological perspective the artifact is particularly interesting as it preceded the ‘great Celtic migration’ into this area by at least two decades. The torc from Gorni Tsibar is significant not only from an artistic perspective but because it, in combination with other archaeological and numismatic evidence, confirms Celtic presence in this area of Bulgaria as early as the 4th c. BC. This presence is also testified to in ancient sources (Seneca nat. quaest 3.11.3; Plin. n.h. 31.53) who describe a battle between the Macedonian general Cassander and Celtic forces in the Balkan mountains (Stara Planina) at the end of the 4th c. BC.

 

 The Gorna Tsibar site is near the location of the Celtic settlement of Cumodina (modern Stanevo, Montana region) (Ravennatis Anonymi Cosmographia. Liber IV, 7, 190;  see ”Celtic settlements on the Bulgarian Danube” article). Further along the valley of the small Tsibritza river, on which Gorna Tsibar is situated, recent archaeological evidence also shows Celtic settlement around the villages of Valchedrum and Jakimovo dating until the 1st c. BC / 1st c. AD.

 

 

 

 

 

 

 

 

 

 

(On Celtic material from this area of Bulgaria see also:

https://www.academia.edu/5992553/Late_La_Tene_Ceramic_from_Bulgaria;

https://www.academia.edu/5385798/Scordisci_Swords_from_Northwestern_Bulgaria).