intro opp hds

 

 

 
“Nature is not only all that is visible to the eye.. it also includes the inner pictures of the soul.” 
(Edvard Munch)

 

 

 

 

A most spectacular metamorphosis is to be observed in Celtic gold staters of the Lysimachus type produced during the late Iron Age, culminating in enigmatic images which allow a rare insight into the ‘barbarian’ imagination and beliefs.

 

 

 Besides original lifetime issues of the Macedonian king (Fig. 1), numerous posthumous variants were produced by various authorities from the mid 3rd c. BC onwards. For example, imitations of the Lysimachus stater were minted by the western Pontus (Black Sea) Greek cities of Tyras, Istros, Tomis and Kallatis, as well as Mesambria, Odessos and Byzantium (Dimitrov 1987, Karayotov 1994, Vîlcu et al 2011 a,b & 2012 a,b) (Fig. 2 – 4). Production and circulation of such continued up until the 1st c. BC, as is illustrated, for example, by the discovery of ‘barbarian’ Lysimachus staters in the Bastarnae Bulgarevo hoard, which has been dated to the Mithridatic period  (see Balkancelts ‘Akrosas’ article).

 

 

 

Lys  1 orig

Fig 1  -  Lysimachus  AV Lifetime Stater  (297/6  -  282/1 BC).  Alexandria Troas. Vs.: Alexander Head with Diadem and Ammons  horn  n.  r.  Rs.:  BAΣIΛEΩΣ  ΛΥΣIMAXOΥ, Athena with Nike enthronend, Monogramm.

 

 

 

Lys 2 byz

Fig 2 – Lysimachus posthumous AV Stater. (Byzantium mint 225-205 BC) Diademed head of deified Alexander right, wearing horn of Ammon / BAΣIΛEΩΣ ΛΥΣIMAXOΥ, Athena seated left, holding Nike, with shield, spear behind (SNG COP 1086)

 

 

 

Lys. Tom. Mess

Fig.3

(After Petac, Vîlcu 2012)

 

 

 

bulg.

(after Draganov 2012)

 

 

 

 

 

 

 
The conquest of the region by Rome logically meant that the production of such issues was discontinued. The resulting vacuum was quickly filled by the local tribes, who produced their own unique versions in the late 1st c. BC/early 1st c. AD  (Fig.  5-7). Examples of the latter have been discovered throughout Eastern Europe, as far east as the Colchis region (today’s Georgia), and as far west as northern Italy (Arslan  1988). Although generally attributed to the Transylvanian Celts  (loc cit), their geographical distribution, particularly in the east, strongly indicates a connection to the Celto-Scythian Bastarnae.

 

 

 

 

clt 5 -  6

 (Unpublished)
 

 

 

 

 

 
Whereas the aforementioned imitations of the Lysimachus stater were exactly that – copies of the Macedonian original, Hellenistic in terms of artistic execution and the Greek inscription – the barbarian issues, while retaining the core compositional elements of the Macedonian prototype, are entirely Celtic in nature. This results in artistic compositions of an abstract/iconic nature, typical of Iron Age Celtic art (see Mac Congail, Krusseva 2010). This process of artistic metamorphosis is also to be clearly observed on Balkan Celtic coinage based on the Philip III type (loc cit), which also reaches its artistic culmination in the 1st c. BC:

 

 

 

Copy of Evolution P III T.

 

 

(On the distribution of these coins see : https://www.academia.edu/3488614/Celtic_Coin_Hoards_from_Thrace)

 

 

 

 

Weird c

Fig. 7 – Late Celtic (Celto-Scythian?) variant of the Lysimachus gold Stater

(note, as in fig. 6, the birds around the head of the goddess on the obverse)

 

 (Unpublished)
 
 
 
 
 

 

 

 

 

 

 
As may be observed, the obverse of the Lysimachus type coinage undergoes a fundamental transformation from the portrait of Alexander on the Macedonian original and Hellenistic imitations, to the depiction of an avian deity on the Celtic coins, which again shows remarkable compositional similarities to the portrayal of the deity on the late Philip III types. This phenomenon, the depiction of the Bird Goddess  / Catubodua , is to be observed on numerous types of Eastern Celtic coins (Macedonian, Thasos and Paeonia types; see Mac Congail/Krusseva 2010) during this period.
 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Download Pdf. version of this article:

https://www.academia.edu/5543801/On_Posthumous_and_Barbarian_Lysimachus_Staters

 

 

 

 

 

 

 

                                                             Literature Cited
 

 
Arslan E. (1988) Uno Statere Celto-Dacico Dal Vercellese. In: Studia Numismatica Labensia. Narodni Muzej 1988. Ljubljana. p. 15-25
 
Dimitrov K. (1987) The First Coins of Alexandrian Kind, Stamped on the West Coast of  the Black Sea’, MPK 27, 4 (1987), pp. 55-9
 
Драганов Д. (2012) Монетите на Скитските Царе. София
 
Karayotov  I.  (1994)  Le monnayage de Messambria et les monnayages d’Apollonia, Odessos et Dionysopolis, Ancient Greek Colonies in the Black Sea, 2  (BAR Int. Series 1675; Oxford, 2007) pp. 127-74
 
Мак Конгал Б., Крусева Б. (2010) Хората, които се превърнаха в слънце – Ваpварските изкуство
и религия на Балканите. Пловдив  2010.  (The Men Who Became The Sun  –  Barbarian Art and Religion on the Balkans. Plovdiv 2010)
 
Vîlcu A., Petac E.  (2011a) Constantinescu B., Chiojdeanu C, Stan D., Niculescu G., Considerations regarding the Greek gold coins struck during the 4th to the 1st centuries BC in the light of the XRF analysis, In: Peuce, S.N. 9 (2011), pp. 501-12
 
Vîlcu A.  Petac E.  (2011b)  ‘A  Significant Reconsideration  of  Price  963 :  not  Istros,  but  a  Seleucid mint’, SCN II (XIV), 2011, pp. 143-6.
 
Vîlcu A., Petac E. (2012a) Syrian Wars And The Beginning of Lysimachus Type Staters At Tomis. In: Istros XVIII, 2012. Brăila, p. 51-63
 
Vîlcu A., Petac E.  (2012b) Political rivalry and military conflicts at Lower Danube during the IIIrd century BC reflected by the gold staters of Alexander the Great type struck at Kallatis’, In: Eastern and Central European Studies. Vienna
 

 

 

 

 

 

 

 

 

 

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